I really, really love these glazes! I've been testing my buttery Matte 12 base glaze on three kinds of clay: grolleg porcelain, white stoneware (Dan's Four Equal Parts), and regular stoneware. The porcelain is the purest I could manage, so there is only a minute amount of iron in it to color the glaze. Even at that, the base glaze comes out slightly blue. The white stoneware has a tiny amount of iron, but it makes the blue a little greyish. The regular stoneware, of course, has enough iron to completely change the glaze color and ends up being a fairly bland, nasty grey.
Matte 12 base with Custer feldspar, no added FeO, on three clays. |
Here is the same base recipe, with Kona F-4 feldspar on the same clays:
Matte 12 with Kona F-4 on grolleg porcelain, white stoneware, and regular stoneware |
I wanted to see what a half-percent of black iron oxide would do, and the results were pretty spectacular:
Matte 12 with Custer feldspar and .5% FeO on grolleg porcelain, white stoneware, and regular stoneware |
The speckling is considered a fault, but I think it will work well for some applications. It especially looks good on the stoneware because it mimics the clays natural mottled appearance. For porcelain, I will need to ball-mill the glaze.
I was surprised that changing the feldspars had so little effect on the color, because Custer is a high-potassium spar and Kona is a soda spar. But as you can see, they seem to be interchangeable:
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